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爱尔兰配音专家Ronan Hardiman的Anthem专辑音乐试听！包括经典的That place in your heart、Anthem、Stolen Kiss[王者之舞] k 'PvTWR 5LB{b]w7m Jn^b}bk t Hc =QSP 【Ronan Hardiman】罗兰*哈德曼 ghWWJx9
:u./"[G  #kASy 2t Oo@o$\+v i4,p\rE0 作曲者Ronan Hardiman BH1h2OEe#
唱片集：Anthem / n_s"[I4
艺术家：Ronan Hardiman !}z'"l4i
风格：Contemporary Celtic Ac|\ ~w[\
发行：2000.09.26 iW^J>aKy
01 Anthem dgF%&*Il]O
02 That Place in Your Heart R__:~ uv,
03 Run Away } 1e4u{
04 Ready for Life UPU$SZAIx
05 Salve }VZ Exqm)
06 Never itP`{[
07 Worlds Apart <M@-|K"Eb
08 Ancient Lands ey=KA t
09 Where Are You Now N"G aQ
10 Heaven (Waiting There for Me q50F!yHC-
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提起“大河之舞”在凯尔特迷中恐怕无人不知，当然自然使人们想到它的创作者罗南哈德曼（Ronan Hardiman）。 d(o=)!p
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魅力永恒的爱尔兰舞剧，在Ronan Hardiman的配乐下显得越发光彩四射。爱尔兰三大舞剧，“大河”、“火焰”、“命运”，以及它们的衍生剧，在凯尔特迷的眼里是无法替代的经典。曾经它们是那么的神秘，现在这一经典舞剧到了中国，让更多的人领略了它无法抵挡的魅力。 PQkw)D<n]_
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Ronan Hardiman在挖掘创作极富民族色彩的音乐同时，也潜心关注于现代音乐与传统音乐的融合。他擅长将清逸甜美的女声作为一件乐器使用，同时大量加入电子音效。音乐本身没有完全脱离博大的爱尔兰传统音乐的土壤，却在编曲上下了很多工夫。这点类似于与他风格相近的Mike Oldfield,yanni等人。 \jtA8o %n
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Ronan Hardiman - 罗兰·哈德曼以电子音乐为创作主体，是爱尔兰著名的配乐家及作曲家。家境十分富有，父亲是爱尔兰广播网的总裁，罗兰·哈德曼是四个兄弟中唯一没有上爱尔兰语学校的人，叛逆性格强烈的他不像其它兄弟姐妹们只听传统的音乐，他冒着被责骂的危险偷听卢森堡电台或偷看电视上的音乐排行榜节目；在学业上他放弃长辈为他选择的学院路线，反倒成为银行的出纳员长达12年之久。即使在这种情况下，他也不曾放弃他对音乐的热情与理想，在爱尔兰的音乐、电视、电影界寻求机会，经济困难时甚至不惜卖掉他名下拥有的有价财产。最后让他真正成名的则是为爱尔兰晚间九点新闻及国营奖券特别节目所作的配乐，而后刚好遇见Michael Flatley - 迈可·佛莱利(大河之舞的编舞)，《大河之舞》的大成功让他也想寻找一位爱尔兰作曲家为他下个作品配乐，从罗兰·哈德曼的音乐中迈可·佛莱利轻易地捕捉到他想要的画面，两人于是一拍即合，合作完成了另一部与《River Dance》渊源颇深的《Lord Of The Dance》。 Z-Qp9G'
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The greatest joys of composer/keyboardist Ronan Hardiman s spiritually minded Anthem derive from the fact that he cross-pollinates his lilting, ultra-melodic melodies into so many different genre settings. Best known for his score to Michael Flatley s stage show Lord of the Dance, Hardiman draws heavily upon Celtic influences (texturing his hypnotic atmospheres with Leslie Dowdall s Enya-like vocals on the title track), but also creates throbbing trip-hop rhythmic foundations and ambiences which sound reminiscent of Enigma. On "Runaway," he plays a jazz-influenced melody in the vein of Keiko Matsui between heavily percussive, spirited vocal chorus parts sung angelically by Dowdall; however, an operatic vocal interlude seems a bit excessive. Likewise, the spoken voice over the hip-hop-influenced smooth jazz flavors of "Ready for Life" are unnecessary to get the emotion of the song across. Despite this stylistic variety, there is a certain similarity in Hardiman s approach: lay the rhythmic grooves, add atmosphere and vocals, and play great melodies. "Ancient Land," however, opens with dense tribal drumming and ominous orchestral overtones which draw world music and a classical influence into the equation. Listeners might have a hard time creating an exact definition of what Hardiman is doing here, but that s exactly why there s never a dull moment. — Jonathan Widran 
